PhD thesis: Determinacy, indeterminacy, and collaboration in contemporary music-making

This thesis is structured around three key phases in the process of collaborative music-making - composition, preparation, and performance - examining the function of indeterminacy at each stage, and the way in which musical factors are determined. At what point in the creative process a musical decision is made, the path chosen, and critically, by whom the decision is taken, are all explored in the context of a portfolio of pieces performed and recorded as part of this practice-led research. The portfolio comprises recordings of projects undertaken with composers, as well as pre-existing repertoire, and the written commentary explores my creative role as a performer in relation to that of the composers and the other performers I have worked with. Practical issues faced in collaboration, practice, and performance are dealt with, as are questions of musicality, and the notion of success in musical performance.

Read full thesis

Listen to portfolio of recordings

Other publications:
Jessica Aslan & Emma Lloyd (2016) Breaking Boundaries of Role and Hierarchy in Collaborative Music-Making, Contemporary Music Review, 35:6, 630-647

Emma Lloyd & Matthew Sergeant (2013) The Instrument as a Roughened Canvas:Embracing Timbral Indeterminacy in Composition and Performance, Athens: ATINER'S Conference Paper Series, No: ART2013-0450.